Illustrator & maker of strange little worlds

Outline drawing of a mythical dragon with a castle on its back, set against a purple background.

Welcome to the cabinet • Look closer • Follow the thread • Turn the page • Find something unexpected • Stay curious •

Welcome to the cabinet • Look closer • Follow the thread • Turn the page • Find something unexpected • Stay curious •


About

I'm beginning to bring the pieces together.

I've been making things in lots of different ways,drawing, embroidering, making zines, playing with found imagery, designing things and creating spaces for people to make together.

I'm now beginning to explore what happens when these different threads become a creative practice.

I'm interested in strange and familiar things, hidden stories, handmade worlds and the small details that make you look twice.

The Cabinet brings together work I've made across illustration, embroidery, zines and community projects.

These works weren't originally created as one body of practice, but together they reveal recurring interests in storytelling, curiosity, transformation and connection.

I'm interested in the connections between them and in discovering where those threads might lead next.

The Cabinet

A framed black and white illustration featuring a fierce lion and a winged figure dressed as a knight, with the caption 'GENDER KILLS MY VIBE' in pink letters.

Strange & Wonderful

Reimagining the familiar and finding wonder in the unexpected

Embroidery hoop with a textile featuring a appliqué of a red mushroom with white spots, surrounded by embroidered green foliage and branches.

Hidden Stories

A collection about the stories we carry, hide and gradually reveal.

A pamphlet titled 'Fáilte' with an illustration of a lighthouse, waves, clouds, and houses on a wooden surface.

Handmade Narratives

Small worlds, handmade stories, discovered one page at a time.


Looking forward

I'm beginning to explore how the different parts of my making might come together through illustration, embroidery, printmaking, zines, found imagery and other tactile forms.

I'm drawn to the space between the familiar and the strange, where something playful can hold a darker or more personal story, and where small details reveal something unexpected.

A residency would give me the time and space to follow these ideas more deeply, experiment without needing to know the outcome, and discover what this emerging practice might become.

The Workbench

This is where ideas are tested, altered, abandoned, picked up again and sometimes turned into something unexpected.

Sketches, experiments, materials, half-finished things and works in progress sit alongside the finished pieces.

A floral arrangement surrounding a painting of a religious scene depicting the Holy Family with angels, set against a dark background.
A black background with a circular floral wreath of colorful flowers surrounding a black octagonal shape. Inside the shape, white text reads: "They are a combination of sensitive and savage."
A pair of scissors with a metallic, iridescent finish resting on a wooden surface.
A linocut print of a wolf howling at the moon on a textured square piece of linoleum, with a carving tool and a piece of paper nearby, all on a wooden surface.

Making with Others

Through Quiet Chaos Club, I've been exploring what happens when making becomes a way of bringing people together, creating space for hobbies, conversation, curiosity, connection and community

This work has allowed me to move between artist, designer, organiser and facilitator, and has made me increasingly interested in creativity as something that can be experienced collectively rather than simply observed.

People sitting around a large, paint-stained wooden table in a bright room with white walls and large windows, engaged in conversation or working on art projects. There are various objects on the table, including water bottles, cups, and art supplies.
A person standing indoors holding a tablet, wearing glasses, a black jacket, floral pants, and boots, with shelves, chairs, and an easel in the background.

About

I'm Nic Johnston, a designer and emerging artist based in Tāmaki Makaurau Auckland.

I've spent much of my career working in design, research and human-centred practice. Alongside that work, I've continued making things simply because I wanted to see what would happen.

Drawing, embroidery, zines, storytelling, found imagery and community projects have gradually begun to feel less like separate interests and more like connected threads.

I'm now interested in giving those threads more room to develop and in finding out what kind of creative practice they might become.

Still Curious? There are more things to discover.

Still Curious? There are more things to discover.